Some Baloch women do not sew and embroider themselves; instead, they gather clothes from generous women and distribute them to other artisans for stitching and embroidery, earning revenue in the process. These women reside in Karachi, Oman, Iran, and other areas where Baloch communities are present. They take on contracts and rent out the completed garments to traders in Makran. If skilled women can directly access clients, this could become a lucrative business, allowing them to promote their labor at competitive prices.

Balochi weaving is a specialized craft predominantly pursued by women from rural areas. Due to limited educational opportunities and lack of access to schools in many parts of Balochistan, women in these regions seek solace in this craft from a young age, earning a monthly income ranging from thirty to forty thousand rupees while working from home.

In areas with tribal customs, where Baloch women sometimes leave their homes, learning this skill ensures their economic stability.

Prominent Balochi Designs

Balochi embroidery boasts unique and distinct designs, with each design having its own name and associated price. Notable designs include those attributed to renowned figures such as “Arif-i-Chadar,” as well as designs associated with the National Party, Bank Karima, Jalar, Kapuk, Talmal Sach, Jusik-i-Jalwaah, and Apsar-i-Zayd. Additionally, there are numerous other well-known designs, each with its own pricing.

Balochi Embroidery: A Vital Aspect of Baloch Culture

Balochi embroidery has been an integral part of Baloch culture since time immemorial. Balochi women showcase their cultural heritage worldwide by creating intricate and distinctive designs on their garments, earning recognition and financial compensation for their artistry.

The significance of Balochi embroidery lies in its centuries-old tradition, passed down through generations of Baloch women who utilize fine needles to craft awe-inspiring patterns on fabric. The meticulousness required in Balochi embroidery leaves no room for error, making it a highly skilled and esteemed craft.

Where Are Balochi Embroidered Garments Worn?

The primary demand for Balochi embroidery lies among the people of Makran and Awaran, as many artisans from these regions specialize in this craft. However, Balochi women residing in Iran, the Gulf countries, and even Europe also embrace and wear garments adorned with Balochi embroidery.

The Art of Balochi Embroidery

According to Baloch women, Balochi embroidery is a labor-intensive and costly craft. The process involves using fine needles to create intricate patterns on fabric by threading it meticulously. It takes an average of one to one-and-a-half months to complete a single outfit, with prices varying based on the design. Most women engage in this work from the comfort of their homes, while some embroider solely for personal use and for their loved ones. Many also earn an income by working on other women’s garments.

Balochi embroidery involves weaving the fabric upside down, creating various molds that are filled with colorful threads to form unique designs.

Makran: The Heartland of Balochi Embroidery

Makran, comprising districts such as Kech, Gwadar, and Panjgur, is the epicenter of Balochi embroidery. Here, women not only sustain their households through this craft but also earn monthly incomes ranging from forty to fifty thousand rupees by engaging in douch (traditional needlework) from home. They support their husbands and educate their children in schools and universities across the country, adapting to changing times.

The Threat of Mechanized Embroidery to Balochi Craftsmanship

Traditional Baloch embroidery is done by hand, requiring several months to complete a single garment. In contrast, machine embroidery can be completed in a matter of days. Machine embroidery is faster and less expensive, and since it is primarily performed by men, they tend to earn more than women. The advent of machine embroidery poses a threat to the tradition of Balochi craftsmanship.

Preserving Balochi Handicrafts

Efforts must be made to ensure that Balochi embroidery continues to thrive and be globally recognized. Establishing factories where artisans can receive fair compensation for their work and increase productivity would be a significant step. These factories should respect the Baloch preference for custom garments and sizes. Additionally, designer outfits should be produced in factories, allowing for the incorporation of Balochi embroidery. Young Baloch women should be provided with education and training opportunities to enhance their skills and make a mark in the fashion industry.

The writer is a teacher at DELTA, The Change Agent. He can be reached at aminwastoo@gmail.com.